FAITH IN INDONESIA

FAITH IN INDONESIA
The shape of the world a generation from now will be influenced far more by how we communicate the values of our society to others than by military or diplomatic superiority. William Fulbright, 1964

Thursday, April 25, 2019

NOT ALL DISASTERS ARE MADE BY NATURE


Tumbledown tragedies; some can be prevented

Richter Scale Day (26 April) honors the 1900 birth of Charles Richter. He’s the American seismologist who invented the scale which measures earthquakes.  
The biggest in Indonesia last year was the magnitude 7.5 Palu quake and tsunami in Central Sulawesi.  Engineers blamed poor construction and houses built on land prone to soil liquefaction for some of the 4,400 deaths.

It doesn’t always need a quake to smash and kill. Among the many urgent tasks facing the new national and provincial governments is to enforce building regulations.  Duncan Graham reports from Cirebon:

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Monday 16 April last year dawned like any other in the village of Gegesik outside the port city of Cirebon, 220 kilometers east of Jakarta.

Samini, 40, had sent her daughter Tri Hana Sita, 10, off to primary school.  Her eldest son Aridh Newton Rachman, 22, was working far away.

At the rear of the family’s house was a small studio built of pre-cast concrete blocks and constructed the year before.  Here Samini’s husband Suherman bin Basan, 48, a dahlang (puppet master) was leading a gamelan orchestra rehearsal with the couple’s second son, Aziz Isaac Fathur Rachman, 20, and eight local children.

Members of the Hidayat Jati group were getting ready for shows later in the month.

“It was about 10.30. I just went out to buy a gas bottle and a few other things,” said Samini. “I wasn’t more than 100 meters away, but I didn’t hear anything.  Then I saw people running to our house.”

An old nine-meter high barn alongside the studio had collapsed.  The windowless building had small openings to encourage walet (native swifts) to breed.  Their nests are harvested to make Chinese soup.

But the birds had deserted the empty building before it suddenly tumbled onto the studio. Seven died instantly, including Suherman and Aziz, their bodies brutally disfigured by the tumbling bricks. Two girls and a boy were injured but have since recovered.

In the West there’d be a coronial inquiry and charges laid against the barn owner for failing to keep the building sound.  The local government would also be held responsible for not ensuring regulations were followed.

The builders of the studio would also be summonsed.  The remaining walls, only eight centimeters thick, show a jerry-built construction using low-quality mortar easily crumbled by hand.  There’s no obvious reinforcement and the blocks are not in-line.

“There was no wind, no rain and no earthquake,” said Samini.  “Some said the foundations had not been properly dug, but the barn had been in place for more than ten years.”

In villages other explanations have to be found.  Inevitably they involve the supernatural – and it’s hard to remain skeptical.

A pink-flowering bush is a splash of color amid the grey rubble of smashed bricks and shattered asbestos sheets that was once the music studio.  It’s the only living thing in the debris and Samini says it wasn’t planted by her or anyone else.  It thrives on the spot where her husband died.

Then there’s the question of the swifts abandoning their home.  Did they sense earlier movements in the walls and roof?

Suherman and Umer’s lives were not insured.  Nor was the building.  Apart from big companies and the rich, few buy insurance in Indonesia.

As a dahlang Suherman was said to be gifted with paranormal powers.  Before his sudden death he told his wife he had a dream of her becoming wealthy.

Since the accident she’s received compensation from the government and the barn owner, though doesn’t want the sums published for fear of arousing envy among neighbors.  She’s also received support from a city almost 8,000 kilometers away.

Cirebon has a longtime link to Wellington, the quake-prone capital of NZ. In the 1970s the late ethnomusicologist Dr Allan Thomas, who had been studying in Cirebon, bought a ten-piece gamelan set and 140 wayang kulit shadow puppets that were threatened by fundamentalists seeking to stamp out local culture.

Some of the instruments were 400 years old and hadn’t been played for half a century.  In Wellington they were restored with the help of the Indonesian Embassy; they were called The First Smile and used for concerts

Dance teacher and musician Jennifer Shennan said her late husband often spoke of music going beyond business and politics, helping people from different cultures get to know and understand each other better through feeling.

So when the Kiwis heard of the Gegesik tragedy they held a concert and raised enough cash to help Samini develop a business.  The money has been used to build a warung (shop) on the front of her house where she plans to sell necessities.

She remains doubtful about the logical explanations for the building’s collapse and keeps asking why it happened, and why then. 

“Some people were jealous of my husband and his success and for reviving the wayang kulit,” she said.  “Maybe he was cursed by someone using black magic.”
Or maybe the curse should be put on the builders who cut costs and corners, and the bureaucrats who failed to police the regulations.

Late last year a major road in Surabaya suddenly collapsed.  Fortunately no deaths were reported.  Some blamed an earthquake or sinkhole, but Sutopo Purwo Nugroho of the National Board for Disaster Management said it was caused by construction errors, again highlighting the lack of controls in the building business.
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First published in The Jakarta Post 25 April 2019)








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