FAITH IN INDONESIA

FAITH IN INDONESIA
The shape of the world a generation from now will be influenced far more by how we communicate the values of our society to others than by military or diplomatic superiority. William Fulbright, 1964

Tuesday, December 06, 2016

A GERMAN VIEW OF IN DONESIA

Good Goethe! A poet’s lament                                      
Poets dwell in sacred space.                                                                                                       Go slash the jungles, pierce the gloom.                                                                               Java’s mysteries touch the sky                                                                                              Sealing secrets like the tomb.



Are Indonesians bibliophobic - and if so, why?
For Berthold Damshäuser who teaches Indonesian language and literature at the University of Bonn, the answer to the first question is: ‘Yes. Indonesians are not great booklovers.’  He believes the prime reason is that the nation’s cultural traditions are oral.
However a new chapter may be opening. Optimists say pages are turning and cite a bookmark: Indonesia’s position as Guest of Honor at last year’s Frankfurt International Book Fair, and a further appearance this year.
Damshäuser is also a prominent translator and with a group of others compiled 33 Tokoh Sastra Indonesia yang paling Berpengaruh (Thirty-three most influential figures in Indonesian literature).
That sounds scholarly, reasonable and civilized. But budding penmen and women – beware. The world of belles-lettres is not beautiful; it’s more like nature – red in tooth and claw.
 The academic was attacked on Facebook where critics angry about inclusions and omissions claimed the book should be burned and the author sent to Auschwitz, demonstrating a history fail as the notorious concentration camp was closed in 1945.
Damshäuser used the anecdote at Malang State University’s Café Pustaka Discussion Group to show young authors edging into the arts that literary criticism and ranking writers is not a passion-free pastime – particularly for outsiders.
That’s technically his status – but professionally and spiritually he’s almost a bumiputera (native) with four decades of archipelagic experience to reinforce the claim.
 Jokingly known in Indonesia as Pak Trum for reasons that would take several stanzas to explain, Damshäuser is chief editor of Orientierungen, a journal on Asian cultures and editor of Indonesian poetry magazine Jurnal Sajak.
He translates Indonesian poetry into German and vice versa, often working with Bandung poet and author Agus R. Sarjono a former guest writer at the Heinrich-Böll-Foundation’s retreat in Langenbroich. Together they’ve put works by 19th century poet and philosopher Johann Wolfgang (von) Goethe and others into the hands of Indonesians.
Despite efforts to boost interest in Europe, Indonesian Studies and the language are wilting as elsewhere, including the nation’s southern neighbor, Australia.  Damshäuser has only 60 undergraduates and five masters’ students.
“Pragmatically students are thinking that all the important texts are in English so that’s the language they have to master or get their friends to translate,” he said.
“I know it’s claimed that basic Indonesian is easy because of a lack of tenses and genders, but it’s full of ambiguities.  It’s a very difficult language if you want to understand it properly.
“Take for example the term Partai Demokrasi Indonesia Perjuangan (PDI-P – the major political party in the Parliament.)  Is it Indonesia or the party that’s democratic?  Where do I attach the adjective? And who’s struggling? I’ve also had problems getting the meaning right with clauses in Pancasila (the State philosophy).”  
Now 59 Pak Trum first learned about the mysterious East Indies as a teen laboring on the docks during university breaks.  Also on the wharves were friendly Indonesians who invited him to visit.
He did.  “I thought it a kind of paradise.” He fell in love not just with the country but also Jakartan Dian Apsari. They married and settled in Bonn where Pak Trum consolidated his reputation as a fluent Indonesian speaker and expert on its literature.
Although his skills were as a translator he was chosen to interpret for the late President Soeharto during two visits to Germany, and two visits to Indonesia by former Chancellor Helmut Kohl.
These garnered a wealth of anecdotes and friendships, with Damshäuser invited to the homes of Soeharto and former vice president B J Habibie who had been educated in Germany.
“Soeharto was always soft and polite towards me and his staff,” he said.  “I didn’t see him as a monster.  He felt that what he was doing as president was right. He was not a strict Muslim but an abangan (a Javanese relaxed about religion) and he was proud of that.”
Damshäuser is a regular visitor to Indonesia, sometimes backed by the Goethe Institut, the German cultural organisation and language school with branches in Jakarta and Bandung.
From a culture of discipline, planning and punctuality to laid back Indonesia hasn’t been an easy journey. When he started he asked:  “How can I deal with this country?”  The loving and hating lasted quite a long time…but it’s no longer polarising.
“In Germany we celebrate the individual and the rights of minorities,” he said.  “I now see my culture differently, and know that along the way we’ve lost a kind of equilibrium that’s still present in Java.”
His experiences have been published this year as a collection of essays - Ini dan itu Indonesia – pandangan seorang Jerman (This and that in Indonesia – a German’s views.)
He said that during the Frankfurt Book Fair the media called Indonesia ‘the country without readers’. Wikipedia lists a total of 29 Indonesian poets past and present. Germany (population 80 million, one third of Indonesia’s) has 50 whose surnames start with A and B. 
Despite comments about the paucity of bibliophiles there seems to be no shortage of poets in Malang. After his speech Damshäuser was busy handling questions about topics, styles and getting into print.
“I’ve already been given four or five published anthologies,” he said. “Among them are some very talented young writers often using pantun the traditional Malay oral expression.
(Pantun is a four-line verse consisting of alternating and roughly rhyming lines, each of eight to 12 syllables. An example by Anon heads this story.)
“People want to hear the words.  The poets write for their works to be performed and getting books printed here is far cheaper than Europe. It seems to me that there have never been so many books and so few readers.”
(First published in The Jakarta Post 5 December 2016
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